Agnes Pelton, cut from similar luminous cloth as Hilma Af Klint, arrives at the Whitney in a time when meditative, transcendental work is a tonic. Though often lumped in with O'Keeffe she rightfully belongs to Water Mill, NY and Cathedal City, CA. She believed in a divine principal and portrayed emblems of higher planes of consciousness which we could all use right now. She worked alone, and was not known in her lifetime Here two example of her gauzy symbolist work. Go the Whitney website for more Pelton images now that the museum is alas closed.